2005语录

2005语录篇一

电影傲慢与偏见2005 同步台词

1 EXT. LONGBOURN HOUSE - DAY.

FADE UP ON: A YOUNG WOMAN, as she walks through a field of tall, meadow grass. She is reading a novel entitled 'First Impressions'.

This is LIZZIE BENNET, 20, good humoured, attractive, and nobody's fool. She approaches Longbourn, a fairly run down 17th Century house with a small moat around it. Lizzie jumps up onto a wall and crosses the moat by walking a wooden plank duck board, a reckless trick learnt in early childhood. She walks passed the back of the house where, through an open window to the library, we see her mother and father, MR and MRS BENNET.

MRS BENNET: My dear Mr Bennet, have you heard that Netherfield Park is let at last?

We follow Lizzie into the house, but still overhear her parents' conversation.

MRS BENNET: (cont'd) Do you not want to know who has taken it?

MR BENNET: As you wish to tell me, I doubt I have any choice in the matter.

2 INT. LONGBOURN - CONTINUOUS.

As Lizzie walks through the hallway, we hear the sound of piano scales plodding through the afternoon. She walks down the entrance hall past the room where MARY (18) the bluestocking of the family, is practising, and finds KITTY (16) and LYDIA (15) are listening at the door to the library. Lizzie pokes Lydia.

LIZZIE: Liddy! Kitty - what have I told you about listening at –

LYDIA: Never mind that, there's a Mr Bingley arrived from the North

KITTY: - with more than one chaise

LYDIA: - and five thousand a year!

LIZZIE: Really?

LYDIA: And he's single!

JANE, the eldest and very beautiful if rather naive sister, materializes at Lizzie's elbow.

JANE: Who's single?

LIZZIE: A Mr Bingley, apparently.

KITTY: Shhhh!

She clamps her ear to the door.

LIZZIE: Oh, really Kitty.

Lydia leans in, whilst Jane and Lizzie strain to hear without appearing to.

3 INT. LIBRARY - LONGBOURN - CONTINUOUS.

Mr Bennet is trying to ignore Mrs Bennet.

MRS BENNET: What a fine thing for our girls!

MR BENNET: How can it affect them?

MRS BENNET: My dear Mr Bennet, how can you be so tiresome! You know that he must marry one of them.

MR BENNET: Oh, so that is his design in settling here?

Mr Bennet takes a plant he's been looking at from his table and walks out of the library into the corridor, where the girls are gathered, Mrs Bennet following.

MR BENNET: (cont'd) Good heavens. People.

4 INT. CORRIDOR - LONGBOURN - THE SAME.

He walks through the girls to the drawing room pursued by Mrs Bennet.

MRS BENNET: - So you must go and visit him at once.

5 INT. DRAWING ROOM - LONGBOURN - THE SAME.

Mr Bennet walks to a table and places the plant in the light. Mary is still practising the piano. The girls flock behind him.

LYDIA: Are you listening? You never listen.

KITTY: You must, Papa!

MRS BENNET: At once!

MR BENNET: There is no need, for I already have.

The piano stops. A frozen silence. They all stare.

MRS BENNET: You have?

JANE: When?

MRS BENNET: How can you tease me, Mr Bennet? Have you no compassion for my poor nerves?

MR BENNET: You mistake me, my dear. I have a high respect for them; they have been my constant companions these twenty years.

MRS BENNET: Is he amiable?

MARY: Who?

KITTY: Is he handsome?

MARY: Who?

LYDIA: He's sure to be handsome.

LIZZIE: (ironically) With five thousand a year, would not matter if he had warts and a leer.

MR BENNET: I will give my hearty consent to his marrying whichever of the girls he chooses. Warts and all. MARY: Who's got warts?

LYDIA: So will he come to the ball tomorrow?

MR BENNET: I believe so.

Lydia and Kitty shriek with excitement and jump up and down.

KITTY: (to Jane) I have to have your spotted muslin, Jane!

LYDIA: No, I need it! It makes Kitty look like a pudding.

KITTY: - Oh please Jane, I'll lend you my green slippers.

They both look onto Jane and pull at her arms. Mr Bennet winks at Lizzie.

6 EXT. LONGBOURN HOUSE - DAY.

A wide shot of the house as we continue to hear the girls argue over what they will wear.

7 INT. ASSEMBLY ROOMS - MERYTON VILLAGE - NIGHT.

The local subscription dance is in full swing, (Dance 1). It's a rough-and-ready, though enthusiastic affair: yeoman farmers, small-time squires with their ruddy-cheeked daughters.

Lydia and Kitty are dancing.

LYDIA: I can't breathe. How am I going to dance all night if I can't breathe?

KITTY: My toes hurt already.

Lizzie and Jane are a little apart from their family. Jane looks breathtaking.

LIZZIE: Well, if every man in this room does not end the evening in love with you then I am no judge of beauty.

JANE: Or men.

LIZZIE: Oh, they are far too easy to judge.

JANE: They are not all bad.

LIZZIE: Humourless poppycocks, in my limited experience.

JANE: One of these days, Lizzie, someone will catch your eye and then you'll have to watch your tongue. She stops speaking and stares. A dazzling group enters the room: George Charles Bingley (25) a good hearted soul but prone to bumbling embarrassment when his enthusiasms get the better of him, his sister Caroline (23) a victim of every latest fashion, counting herself superior to most company she encounters, and finally, Mr Fitzwilliam Darcy (27) dashing, brooding with an introversion which could be misconstrued as hauteur. They are dressed in the highest modes.

The music and dancing stops as the local people turn and stare. The newcomers - creatures from another world - make quite a stir. Darcy surveys the hall. He catches Lizzie's eye. She stares, with a kind of surprised shock. Caroline Bingley turns to Darcy.

CAROLINE: Oh dear, we are a long way from Grosvenor Square, are we not, Mr Darcy?

He does indeed look superior to the assembled company.

SIR WILLIAM LUCAS (53) a hale but unsophisticated member of the self-made gentry, hurries to greet the new arrivals. He leads them down the center of the dance floor towards the best seats in the room, stopping occasionally to introduce them to various parties.

Lizzie's great friend Charlotte Lucas, Sir Williams’ daughter - an intelligent, sensible woman in her late twenties, comes to Lizzie's side.

LIZZIE: So which of the painted peacocks is our Mr Bingley?

CHARLOTTE: He is on the right, and on the left is his sister.

LIZZIE: And the person with the quizzical brow?

CHARLOTTE: That is his good friend, 'Mr Darcy.

LIZZIE: He looks miserable, poor soul.

CHARLOTTE: Miserable he may be, but poor he most certainly is not.

LIZZIE: Tell me.

CHARLOTTE: Ten thousand a year and he owns half of Derbyshire.

LIZZIE: The miserable half?

They share a complicit giggle.

Sir William Lucas arrives with Darcy and the Bingley's to introduce his daughter Charlotte and the Bennet family. Behind them the music and dancing re-start where they left off.

SIR WILLIAM: (to Mr Bingley) My eldest daughter you know, Mrs Bennet, Miss Jane Bennet, Elizabeth and Miss Mary Bennet.

MRS BENNET: It is a pleasure. I have two others but they are already dancing.

Mr Bingley is transfixed by Jane and gazes openly at her.

MR BINGLEY: Delighted to make your acquaintance.

SIR WILLIAM: And may I introduce Mr Darcy. (Significant look) - of Pemberley, in Derbyshire!

A stiff bow from Darcy, Lizzie smiles, Darcy does not.

8 INT. ASSEMBLY ROOMS - MERYTON VILLAGE - NIGHT.

Moments later. Lizzie is standing in a small group with Jane, Bingley, Miss Bingley and Darcy.

JANE: How do you like it here in Hertfordshire, Mr Bingley?

MR BINGLEY: (smiling at Jane shyly) Very much.

LIZZIE: The library at Netherfield, I've heard, is one of the finest in the country.

MR BINGLEY: Yes, it fills me with guilt.

He looks at Jane and a little blush starts around his collar.

BINGLEY: Not a good reader, you see. I prefer being out of doors. I mean, I can read, of course and, and I'm not suggesting you can't read outdoors - of course.

JANE: I wish I read more, but there always seems so many other things to do.

BINGLEY: That's exactly what I meant.

He beams at Jane, gratefully. The first dance ends. Lydia and Kitty rush past in a state of high excitement. LYDIA: Mama! You will never ever ever ever believe what I'm about to tell you!

MR BENNET: You've decided to take the veil?

Lydia ignores him.

MRS BENNET: Tell me quickly, my love

LYDIA: (shrieking) The regiment are coming!

Mrs Bennet shrieks too. Mr Bennet winces.

KITTY: They're to be stationed the whole winter! Stationed in the village, just right there!

Now all three Bennet females shriek and Lydia actually jumps up and down.

LYDIA: Officers! Officers as far as the eye can see!

KITTY: How will we meet them?

LYDIA: It's easy. You just walk up and down in front of them and drop something.

Lydia pantomimes the actions for Kitty.

LYDIA: (cont'd) They pick it up. You say 'Oh thank you sir' and blush prettily and then you're introduced! Couples begin to form for the next dance. Mr Bingley turns to Jane.

MR BINGLEY: May I have the honour?

They leave to dance (Dance 2). Lizzie addresses Darcy as much to distract him from her family as for any other reason.

LIZZIE: Do you dance Mr Darcy?

DARCY: Not if I can help it.

Lizzie, Darcy and Miss Bingley stand in uncompanionable silence.

On the dance floor Mr Bingley is dancing with Jane. His ears are bright pink. Mrs Bennet, with a group of other mothers, watches the young couple with rather too obvious a satisfaction.

MRS BENNET: That dress becomes her does it not. Though of course my Jane needs little help from couturiers.

Lizzie wanders through the throng. She looks at Bingley and Jane dancing - Jane is calm and demure, Bingley clearly smitten.

9 INT. ASSEMBLY ROOMS - MERYTON VILLAGE – NIGHT.

Later. Darcy is joined by an exhilarated Bingley.

MR BINGLEY: Upon my word I've never seen so many pretty girls in my life.

DARCY: You are dancing with the only handsome girl in the room.

BINGLEY: Oh, she is the most beautiful creature I ever beheld, but her sister Lizzie is very agreeable.

They have stopped at the edge of the dance floor but have not seen Lizzie and Charlotte who are hiding behind a pillar. Lizzie starts to smile.{2005语录}.

DARCY: Perfectly tolerable, I dare say, but not handsome enough to tempt me.

Lizzie stops smiling.

DARCY: (cont'd) You had better return to your partner and enjoy her smiles, for you are wasting your time with me.

Bingley goes off.

CUT TO: Lizzie and Charlotte.

CHARLOTTE: Count your blessings, Lizzie. If he liked you, you'd have to talk to him.

LIZZIE: Precisely. As it is, I would not dance with him for all of Derbyshire, let alone the miserable half. Charlotte smiles at her friend, but sees nonetheless that she is stung.

10 INT. ASSEMBLY ROOMS - MERYTON VILLAGE - NIGHT.

Later, (Dance 3). Bingley politely dancing with Charlotte. As he does so, he catches sight of Jane dancing with somebody else. A look of pure longing, but he cannot dance every dance with her. Lizzie too is dancing and clocks this.

Lydia and Kitty are exuberantly dancing too, laughing and chatting. Darcy stands watching, a look of infinitely superior boredom on his fine features.

11 INT. ASSEMBLY ROOMS - MERYTON VILLAGE – NIGHT.

Bingley is standing with Jane, Lizzie, Mrs Bennet and Darcy. (Dance 4).

BINGLEY: (to Lizzie) Your friend Miss Lucas is a most amusing young woman.

LIZZIE: Yes! I adore her.

MRS BENNET: It is a pity she is not more handsome.

LIZZIE: Mama!

MRS BENNET: But Lizzie will never admit she is plain. (to Bingley) Of course it is my Jane Who is considered the beauty of the county.

JANE: Oh, Mama, please!

MRS BENNET: When she was only fifteen there was a gentleman so much in love with her that I was sure he would make her an offer. However, he did write her some very pretty verses.

LIZZIE: (impatiently) And that put paid to it. I wonder who first discovered the power of poetry in driving away love?

DARCY: I thought that poetry was the food of love.

LIZZIE: Of a fine, stout love it may. But if it is only a vague inclination, I am convinced that one poor sonnet will kill it stone dead.

Darcy looks at Lizzie with a glimmering of interest.

DARCY: So what do you recommend, to encourage affection?

Lizzie turns and looks at Darcy square on.

LIZZIE: Dancing. Even if one’s partner is barely tolerable.

She gives him a dazzling smile. Darcy looks startled. He has no idea she heard him. Now it is his turn to blush.

End on a wide shot of the assembly rooms and the dance continuing.

12 INT. LIZZIE & JANE'S BEDROOM - LONGBOURN - NIGHT.

Lizzie and Jane are both in the same bed under the covers. They are too excited to sleep. Jane puts on an extra pair of socks to keep herself warm.

JANE: Mr Bingley is just what a young man ought to be. Sensible, good humoured -LIZZIE: (completing the list) Handsome, conveniently rich.

JANE: You know perfectly well I do not believe marriage should be driven by thoughts of money.

LIZZIE: I agree entirely, only the deepest love will persuade me into matrimony, which is why I will end up an old maid.

JANE: Do you really believe he liked me, Lizzie?

LIZZIE: Jane, he danced with you most of the night and stared at you for the rest of it. But I give you leave to like him. You've liked many a stupider person.

JANE: Lizzie!

LIZZIE: You're a great deal too apt to like people in general, you know. All the world is good and agreeable in your eyes.

JANE: Not his friend. I still cannot believe what he said about you.

LIZZIE: Mr Darcy? I could more easily forgive his vanity had he not wounded mine. But no matter. I doubt we shall ever speak again.

We move away from the bed and out through the window to take in the starry night sky.

13 INT. DINING ROOM - LONGBOURN - DAY.

Mrs Bennet presides over breakfast with an endless description of the ball. Mary is doing some needle work, w

hilst Lydia, Kitty and Jane blearily eat.

MRS BENNET: ...and then he danced the third with Miss Lucas. Poor thing, it is a shame she is not more handsome. There's a spinster in the making and no mistake. The fourth with a Miss King of little standing. And the fifth again with Jane.

MR BENNET: If he'd had any compassion for me he would have sprained his ankle in the first set.

MRS BENNET: Oh, Mr Bennet! The way you carry on, anybody would think the girls looked forward to a grand inheritance.

Lizzie rolls her eyes at Mr Bennet, they've heard this speech many times before.

MR BENNET: Kitty, be so kind as to pass the butter.

MRS BENNET: As you well know, Mr Bennet, when you die, which may in fact be very soon

MR BENNET: As soon as I can manage it.

MRS BENNET: - our girls will be left without a roof over their head nor a penny to their name.

LIZZIE: Oh Mother, please! It's ten in the morning.

Betsy, the maid, enters the room and interrupts Mrs Bennet's babbling.

BETSY: A letter addressed to Miss Bennet, Ma’am. From Netherfield Hall.

MRS BENNET: Praise the Lord! We are saved.

Mrs Hill gives the letter to Jane.

MRS BENNET: (cont'd) Make haste, Jane, make haste. O happy day!

Mrs Bennet takes Jane's toast from her hand and whips her napkin off.

JANE: It is from Caroline.

Mrs Bennet is stopped in her tracks.

JANE: (cont’d) She has invited me to dine with her. (pause) Her brother will be dining out.

MRS BENNET: Dining out?

JANE: Can I take the carriage?

MRS BENNET: Out where? Let me see that.

She tweaks the letter from Jane's grasp.

JANE: It is too far too walk.

MRS BENNET: Unaccountable of him. Dining out, indeed.

LIZZIE: Mama! The carriage? For Jane?

MRS BENNET: Certainly not. She'll go on horseback.

LIZZIE/JANE: Horseback?

15 SCENE DELETED.

16 SCENE DELETED.

14 EXT. COUNTRYSIDE - DAY.

Jane rides through the countryside. A distant rumble of thunder. She looks up...

17 EXT. GARDEN – DAY.

A louder rumble of thunder. Betsy hastily pulls clothes from a line, it's bucketing down heavily now. Lizzie runs through the garden. She pulls a towel from the washing line as she passes.

18 EXT/INT. HALL/DINING ROOM. LONGBOURN - DAY.

Mr and Mrs Bennet look out at the pouring rain. Lizzie rushes in with the towel and begins drying her hair with it. Through in the kitchen we can see Mr and Mrs Hill.

MRS BENNET: Excellent. Now she will have to stay the night. Exactly as I predicted.

MR BENNET: Good grief, woman. Your matchmaking skills are becoming positively occult.

LIZZIE: Though I don't think, Mama, you can reasonably take credit for making it rain. Let's hope she doesn't catch her death.

19 INT. NETHERFIELD – DAY.

A footman opens the great doors to find Jane standing there soaked. She sneezes.{2005语录}.

20 INT. KITCHEN ROOM - LONGBOURN - DAY.

Lizzie reads a letter. Kitty and Lydia are also present.

LIZZIE: "And my kind friends will not hear of me returning home until I am better - but do not be alarmed excepting a sore throat, a fever, and a headache there is nothing wrong with me." I hope you're satisfied, Mother. MR BENNET: Well, my dear, if your daughter does die it will be a comfort to know it was all in pursuit of M

2005语录篇二

经典话语2005.04

1、当你失去一切权利和自由之时，心底若还存有仁爱就有希望——这终究是文明的根底。仁爱是孤寂者的家，孤寂的人在倾听和发现自己的同时，也学会了理解他人的世界，从而建立起一方珍贵的精神领地。一旦从喧嚣纷扰的时间走入平静的内心，就没有什么好怕的。——短评库切《等待野蛮人》

2、人们通常比较害怕的是衰老和死亡，但对阅读真正致命的却是绝望，特别是绝望并不只长一种样子而已。能够持续阅读的人，心中总得有某种东西存留，非有不可。阅读的人对这个世界有着尚未消失的的好奇和想象。可能性，而不是答案，这才是阅读所能带给我们真正的、最美好的礼物。——唐诺《阅读的故事》

3、人生没有那么多的公平可言。偏转一下你的航向，逆风就会成为顺风。刻苦努力，坚持不懈，最终耀眼的太阳就会跑到你的身后。你生活的起点并不是那么重要，重要的是最后你抵达了哪里。——彼得〃巴菲特

4、失眠症最可怕之处不在于让人毫无倦意不能入睡，而是会不可逆转地恶化到更严重的境地：遗忘。也就是说，患者慢慢习惯了无眠的状态，就开始淡忘童年的记忆，继之以事物的名称和概念，最后是各人的身份，以致失去自我，沦为没有过往的白痴。——马尔克斯《百年孤独》

5、 我们文化人就如唐僧，俗世的物欲就如一个母蝎子精，我们可不要受她的勾引，和那个妖女睡觉，丧了元阳，走了真精，此后不在是童男子，不配前往西天礼佛．——王小波《我看文化热》

6、对我自己而言，和人们在一起，哪怕是和一个我最爱的人一起待上一段时间，而没有自己独处的时间时，事情就会变糟。我失去了重心，感到混乱不堪，无所适从。我一定得有自己独处的时刻，好去仔细咀嚼所有发生的事情，汲取精华，本质，去了解其结果对我所起的真正作用。——梅?萨藤《独居日记》

7、如果有一种悲哀在你面前出现，它是从未见过地那样广大，如果有一种不安，像光与云影似地掠过你的行为与一切工作，你不要恐惧。你必须想，那是有些事在你身边发生了，那是生活没有忘记你。你要像一个病人似地忍耐，又像一个康复者似地自信。——里尔克《给一个青年诗人的十封信》

8、保持纯真十分重要。自始至终不要失去开放的胸怀和童稚的热情，自然就会拥有无限可能。真相永远暧昧不明，而谎言却能让人很快就懂。最好的办法是依赖经验的同时，又不失去童真。凡事皆有神迹，只需用心观察。——费里尼

9、常有人叫你退一步，退一步等困难过去了再说，于是你往后退，当你退到能看到全局的地步，除了去适应它，你已经来不及做任何改变了。所以别退，千万扛住，扛到最后，要么你强大了，要么困难就真的过去了——沃伦《国王的人马》

10、让我与你握别 / 再轻轻抽出我的手 / 知道思念从此生根 / 浮云白日，山川庄严温柔 / 让我与你握别 / 再轻轻抽出我的手 / 华年从此停顿 / 热泪在心中汇成河流 / 是那样万般无奈的凝视 / 渡口旁找不到一朵可以相送的花 / 就把祝福别在襟上吧 / 而明日 / 明日又隔天涯。 ——席慕容《渡口》

11、我们拥有一切，我们一无所有；我们全都在直奔天堂，我们全都在直奔相反的方向。简而言之，那时跟现在非常相象，某些最喧嚣的权威坚持要用形容词的最高级来形容它。说它好，是最高级的；说它不好，也是最高级的。——狄更斯《双城记》

12、如果真的深爱，便会懂，哪怕只有千万分之一的机会伤害到你，我便会深恶痛绝。如果真的深爱，便会懂，这样的爱情里，我何必用到那些手段，我们本来就是彼此的，没有谁能夺走，便没有谁需要我去对付。如果真的深爱，便会懂，这样的怀疑，是多么的伤人。——长着翅膀的大灰狼《然后，爱情随遇而安》

13、当水流经管道的时候，管道是什么形状，水就是什么形状；当生命之泉流经你的时候，你的思想是什么形状，生命就是什么形状。——约瑟夫〃墨菲《潜意识的力量》

14、每个人心中都有一座城，因何升起一堵堵将自己封闭的心墙，又因何挣扎着砸倒摧毁这一堵堵心墙，在蜕变和升华中，重新创造和构建一座无墙之城，一座能接纳和付出亲情、爱情、友情，及至大爱的人性之城，一座信者有勇，仁心无敌，闪烁着美善光芒的理想之城。——《十月围城》

15、在你感到寂寞无助的时候，你可以去大自然中，你可以从每一棵树，每一朵花上面，感觉生命无处不在，感觉上帝就在我们身边。 ——《茜茜公主》

16、少时非常任性，身边的人又很包容，对我的伤害行为没有回击，无意中造成了我换位思考能力的缺失。后来在人际中遇到另外一些人，他们在被伤害时就疏离我，而正是在这个过程中，我才明白别人被我挫伤自尊时的伤心，不断透支耐性的力竭，慢慢学会疼惜对方---教我们学会爱的，恰恰是痛苦。—— 黎戈

17、有些事只适合收藏，不能说，也不能想，却又不能忘。它们不能变成语言，

它们无法变成语言，一旦变成语言就不再是它们了。它们是一片朦胧的温馨与寂寥，是一片成熟的希望与绝望，它们的领地只有两处：心与坟墓。——史铁生《我与地坛》

18、人生如画，生活本身是一副画，但涉世未深时，我们都是阅读观画的读者，而经过了风雨，辨别了事物，我们又变成书中的主角，在各自演绎着精彩。——史铁生

19、I love you once, I love you twice, I love you more than beans and rice. 一见倾心，再见倾情，我爱你，此生不渝。——《绝望主妇》

20、不懂得畏惧的人不知道什么是困难，也无法战胜困难。只有懂得畏惧的人，才能唤起自己的力量。只有懂得畏惧的人，才有勇气去战胜畏惧。懂得畏惧的可怕，还能超越它，征服它，最终成为它的主人的人，就是英雄。——当年明月《明朝那些事儿》

21、一切小小的留恋算不得罪过 / 将尽未尽的衷曲也是常情 / 你原谅我有一堆心绪上的闪躲 / 黄昏时承认的，否认等不到天明 / 有些话自己也不曾说透 / 他人的了解是来自直觉的会心 / 原谅吧，我的话语永远不能完全 / 亘古到今情感的矛盾做成了嘶哑。 ——林徽因

22、很多人的失落，是违背了自己少年时的立志。自认为成熟，自认为练达，自认为精明，从前多幼稚，总算看透了，想穿了。于是，我们就此变成自己年少时最憎恶的那种人。——木心《鱼丽之宴》

23、朝露昙花，咫尺天涯，人道是黄河十曲，毕竟东流去。八千年玉老，一夜枯荣，问苍天此生何必？昨夜风吹处，落英听谁细数。九万里苍穹，御风弄影，谁人与共？千秋北斗，瑶宫寒苦，不若神仙眷侣，百年江湖。——干宝《搜神记》

24、旅行真正的快乐不在于目的地，而在于它的过程。遇见不同的人，遭遇到奇奇怪怪的事，克服种种的困难，听听不同的语言，在我都是很大的快乐。虽说一沙一世界，一花一天堂。更何况世界不止是一沙一花，世界是多少多少奇妙的现象累积起来的。我看，我听，我的阅历就更丰富了。——三毛

25、轻吟一句情话，执笔一副情画。 绽放一地情花，覆盖一片青瓦。 共饮一杯清茶，同研一碗青砂。 挽起一面轻纱，看清天边月牙。爱像水墨青花，何惧刹那芳华。——《水墨青花》徐志摩

26、寂寞是一种对别人的饥渴。你想念着别人。你对你自己来说还不够——你是空虚的。因此每个人都想在群众中，然后在自己周围编织各种人际关系，只是为了欺骗自己、忘记自己是寂寞的。但是寂寞会一再的冒出来。没有一种人际关系能够隐藏它。——尼采《查拉图斯特拉如是说》

27、小心你的思想，因为它们会成为言辞；小心你的言辞，因为他们会成为行为；小心你的行为，因为他们会成为习惯；小心你的习惯，因为他们会成为性格；小心你的性格，因为他们会成为命运。——《铁娘子》

28、如果我的人生充满了容易获得的愉悦，不需要我面对挑战，不需要我发挥优势，我会怎么样？我永远不知道自己有什么优势、潜能，永远不知道该如何面对挑战，而这种生活注定会导致抑郁。在一切都有捷径的生活里，优势和美德会枯萎，因为我们没有机会去使用它们。——马丁〃塞利格曼《真实的幸福》

29、所有的结局都已写好，所有的泪水也都已启程，却忽然忘了是怎麽样的一个开始…无论我如何地去追索，年轻的你只如云影掠过，而你微笑的面容极浅极淡，逐渐隐没在日落后的群岚。遂翻开那发黄的扉页，命运将它装订得极为拙劣，含著泪我一读再读，却不得不承认，青春是一本太仓促的书。——席慕容《青春》

30、幸福就是重复。每天跟自己喜欢的人一起，通电话，旅行，重复一个承诺和梦想，听他第二十八次提起童年往事，每年的同一天和他庆祝生日，每年的情人节、圣诞节、除夕，也和他共度。甚至连吵架也是重复的，为了一些琐事吵架，然后冷战，疯狂思念对方，最后和好。------张小娴

31、父母在等我们长大、成熟的过程里，付出了太多包容和耐心。而等他们老了，忙于应对生活的我们，却从未付出同样的包容和耐心让他们老而安然。在这个深深思念父母的夜里，我才猛然发现，有一种爱不可轮回、无以为报，父母却给得那样坦然和无怨无悔。——《你们的父母在哪里》

32、生活，就是一种永恒沉重的努力，努力使自己在自我之中，努力不至迷失方向，努力在原位中坚定存在。——昆德拉《被背叛的遗嘱》

33、生病时，我们发现健康是最重要的；伤心时，我们发现快乐是最重要的；失恋时，我们发现恋爱是最重要的；穷困时，我们发现金钱是最重要的；沮丧时，我们发现信心是最重要的；离开人世时，我们发现时间是最重要的。。。。后来，我们终于体会到，原来所有的后知后觉都只是源于不懂珍惜。

34、历史到今天为止有三个最著名的苹果：一个诱惑了夏娃，一个砸醒了牛顿，一个现在握在乔布斯手中~~~这三个苹果说明了，性爱、求知、装逼，是人类进步的阶梯。

35、“虚荣和骄傲是两种截然不同的东西，但大家却常常把它们当作同义词。一个骄傲的人可能并不虚荣。骄傲主要关系到我们怎样看自己，而虚荣则关系到我们让别人怎样看我们。”——简.奥斯汀《傲慢与偏见》。1817年7月18日，她逝世。因初恋她一生未嫁。

36、世上许多事，只要肯动手做，就并不难。万事开头难，难就难在人皆有懒惰之心，因为怕麻烦而不去开这个头，久而久之，便真觉得事情太难而自己太无能了。于是，以懒惰开始，以怯懦告终，懒汉终于变成了弱者。——周国平

37、日复一日地，渐渐地，我们变成了一些生命流程仅仅被必须做的，杂七杂八的事情注入得满满的人。我们只祈祷我们千万别被自己不愿意做的事情黏住了。果而如此，我们则已谢天谢地，大觉幸运了。甚至会觉得顺顺当当地过了挺好的一生。——梁晓声《人生的真相》

38、少年时追求激情，成熟后却迷恋平静，在我们寻找，伤害，背离之后，还能一如既往的相信爱情，这是一种勇气。每个人都有属于自己的一片森林，迷失的人迷失了，相逢的人会再相逢。 ——村上春树《不是相爱便是相逢》

39、就算人生是出悲剧，我们要有声有色地演这出悲剧，不要失掉了悲剧的壮丽和快慰； 就算人生是个梦，我们也要有滋有味地做这个梦，不要失掉了梦的情致和乐趣。 ━━━尼采

40、【鲁迅日记】1.婚姻中最折磨人的，并非冲突，而是厌倦。2.工作时不为钱分心，钱反而会来得更快。3.肯以本色示人者，必有禅心和定力，所以，伪名儒不如真名妓。4.面具戴太久，就会长到脸上，再想揭下来，除非伤筋动骨扒皮。

5.知识不是力量，智慧才是。——鲁迅

41、你遇上一个人，你爱他多一点，那么，你始终会失去他。然后，你遇上另一个，他爱你多一点，那么，你早晚会离开他。直到一天，你遇到一个人，你们彼此相爱。终于你明白，所有的寻觅，也有一个过程。从前在天涯，而今咫尺。——张小娴

42、【10本最有价值的职场书】1《天下没有怀才不遇这回事》2《蔡康永的说话

2005语录篇三

05语录摘录

不炫耀，不争吵，做一个博学的女子；

不空洞，不浮躁，做一个丰盈的女子；

即便有一天生命枯竭，亦在优雅中慢慢变老。

官员读博，学生打工，教授走穴，老板讲课，每个人都“生活在别处”

（大家好像是全面发展，其实都没把本职工作做好。）

生活不是等待风暴过去，而是学会在雨中翩翩起舞。

从一个错误走向另一个错误，人们就会发现所有真相。——弗洛伊德

我们常常痛感生活的艰辛与沉重，无数次目睹了生命在各种重压下的扭曲与变形，“平凡”一时间成了人们最真切的渴望。但是，我们却在不经意间遗漏了另外一种恐惧——没有期待、无需付出的平静，其实是在消耗生命的活力与精神。——《不能承受的生命之轻》

人类一思考，上帝就发笑——昆德拉一篇演讲的标题

不必担心上帝的笑声，他的笑声中饱含着理解与信任。只有当人类的任性与自私还在他的掌握之中，只有当人类的所思所想并不是在毁灭自身的存在，只有当人类不断地反思自身的弱点并且努力去发现人性中美丽的光芒，上帝才会发出如此喜悦的笑声。或许人类停止思考，上帝就会震怒。

人从来就想重写自己的会传记，改变过去，抹去痕迹，抹去自己的，也抹去别人的，想遗忘的远不是那么简单。——《生命不能承受之轻》

真正的英雄，其实不问出处。从现在起，我开始谨慎地选择我的生活，我不在轻易让自己迷失在各种诱惑里。我心中已听到来自远方的呼唤，再也还需回头去关心身后的种种是非与议论。我已经无暇顾及过去，我要向前起。

在这个世界，我们每走一步都要被被控制和记录。——《认》

永远不要认为我们可以逃避，我们的每下一步都决定着最后的结局，我们的脚步正在走向我们自己选择的终点。

来，让我们真的叫他们忌妒。——《生活在别处》

来，让我们穿上最美丽的衣服走在街头，爽朗地高声大笑，让所有的目光注视着我们，让我们真的叫他们忌妒。来，让我们轰轰烈烈地经历一次爱情，甜蜜热情切地在绿草地上拥抱，让我们的手指相心灵相抚慰，让我们真的叫他们忌妒。

——米兰昆德拉《身份》语录

在今天这个世界里，我们每个人的一举一动都被控制，都被记录下来，那些大商场到处有摄像机监视我们，人们摩肩接踵，接连不断，甚至连做爱都会在第二天被搞调查或做研究的人盘问。。。一个人怎么可能避开监视完全消失，连一点痕迹也不留下?

我最需要的就是，你需要我。

你是什么人便会遇上什么人；你是什么人便会选择什么人。

对生活失望，对自己失望，对他人失望，但是，唯独不能对下一秒钟失望。

生活中的绝大部分快乐都是从痛苦中得来，你全然拒绝了痛苦，也就全然避开了快乐。 所谓爱，就是别人担心你会胖，我却担心你没吃饱。

一个内心丰富的人既不害怕独处，也不害怕人群，因为他们可以在独处时心中绽开大千世界，也可以在人群中保持一份恬淡清寂。

不要睡懒觉，不和太阳一同起身，就辜负了那一天。

爱情是根毛线，你可以弄得一团糟，也可以织出温暖和美好。

2005语录篇四

2005年春晚最经典的对联台词

2005年春晚最经典的对联台词

1、 北京上联：三海九门 京华迎奥运 上海下联：一江两岸 世博靓申城

2、 重庆上联：朝天门喜迎天下客

天津下联：天津港笑纳万国风

3、 内蒙古上联：碧草毡房 春风马背牛羊壮

黑龙江下联：苍松雪岭 沃野龙江豆谷香

4、 西藏上联：雪域春秋扎西德勒

新疆下联：天山南北乌鲁木齐

横批：盛景争春

5、 广东上联：南海风清 讲述春天故事

广西下联：漓江水碧 飘来三姐新歌

6、 山东上联：孔子仁 关公义 人文典范

山西下联：泰山日 壶口烟 天地奇观

7、 湖南上联：八百里洞庭凭岳阳壮阔

湖北下联：两千年赤壁览黄鹤风流

8、 河北上联：万里长城山海关 龙头为首

河南下联：:独门绝技少林寺 天下无双

横批：世间同春

9、 吉林上联：车轮飞转 东西南北追风去

辽宁下联：钢水奔腾 春夏秋冬入眼来

10、浙江上联：饮龙井茶 品江南丝竹

江苏下联：登虎丘塔 论天下园林

11、贵州上联：苗寨黔山黄果树 茅台赤水

四川下联：川肴蜀绣锦官城 花径草堂

12、宁夏上联：红黄蓝白黑 五珍献瑞

陕西下联：字史酒医诗 诸圣流芳

横批：联袂贺春

13、青海上联：水泽源流江河湖海

甘肃下联：金银铜铁铬镍铅锌

14、云南上联：石林自有高材生 群峰拔地

海南下联：琼海独具大手笔 五指擎天

15、安徽上联：黄山为九州增色

江西下联：瓷器与中国同名

16、香港上联：荆花吐艳香江瑞

澳门下联：莲蕊临风镜海清

17、福建上联：品铁观音 香飘两岸

台湾下联：拜妈祖庙 情系一家

钟声敲响时：

上联：上下五千年 太平盛世欣今日 听钟乐和鸣 八方共饮复兴酒

下联：纵横九万里 锦绣中华创未来 看龙狮劲舞 四海同吟发展歌

横批：盛世大联欢

注：北京上联中三海指北海、中海、南海，九门说的是老北京的内城九门：正阳门、崇文门、朝阳门、东直门、安定门、德胜门、西直门、阜成门、宣武门。

2005语录篇五

电影台词2005

电影台词2005

西毒：多年之后，我有个绰号叫西毒，任何人都可以变得狠毒，只要你尝试过什么叫做嫉妒。我不介意其他人怎么看我，我只不过不想别人比我更开心。

西毒：我以为有一些人永远都不会嫉妒，因为他太骄傲。在我出道的时候，我认识了一个人，因为他喜欢在东边出没，所以很多年后，他有个绰号叫东邪。

盲剑客：知不知道饮酒和饮水有什么区别？酒越饮越暖，水越喝越寒。

东邪：你越想忘记一个人时，其实你越会记得他。 人的烦恼就是记性太好，如果可以把所有事都忘掉，以后每一日都是个新开始，你说多好。

西毒：每个人都会经过这个阶段，见到一座山，就想知道山后面是什么。我很想告诉他，可能翻过山后面，你会发现没什么特别。回望之下，可能会觉得这一边更好。每个人都会坚持自己的信念，在别人看来，是浪费时间，她却觉得很重要。

东邪：虽然我很喜欢她，但始终没有告诉她。因为我知道得不到的东西永远是最好的。 西毒：从小我就懂得保护自己，我知道要想不被人拒绝，最好的办法就是先拒绝别人。 西毒：醉生梦死，不过是她跟我开的一个玩笑。有些事情你越想忘记，就会记得越牢。当有些事情你无法得到时，你惟一能做的，就是不要忘记。

慕容：我曾经问过自己，你最爱的女人是不是我？但是我现在已经不想知道。如果有一天我忍不住问你，你一定要骗我。就算你心里多不情愿，也不要告诉我你最爱的人不是我。

13、《红玫瑰与白玫瑰》

也许每一个男子全都有过这样的两个女人，至少两个．娶了红玫瑰，久而久之，红的变了墙上的一抹蚊子血，白的还是“床前明月光”；娶了白玫瑰，白的便是衣服上的一粒饭粘子，红的却是心口上的一颗朱砂痣。

最婉转的台词：

地球是很危险地~~~~~你还是回火星吧 --《少林足球》

最适合泡妞的台词1：

曾经有一份真挚的爱情摆在我面前，我没有珍惜，直到失去的时候才后悔莫及。人世间最痛苦的事莫过如此，如果上天能给我一个机会对那个女孩说三个字，我会说：我爱你！如果非要给这份爱加上一个期限，我希望是-----一万年„„„„„„ --《大话西游》 最适合泡妞的台词2：

一九六零年四月十六号下午三点之前的一分钟你和我在一起，因为你我会记住这一分钟。从现在开始我们就是一分钟的朋友，这是事实，你改变不了，因为已经过去了。我不知道他有没有因为我而记住那一分钟，但我一直都记住这个人。 --《阿飞正传》 最有信用的台词：

出来混，要讲信用。说了杀你全家，就一定杀你全家。 --《人在江湖》 最啰唆的台词1：

我有两个孩子，第一个是男孩，第二个————也是男孩。 --《办公室的故事》 最啰唆的台词2：

我有个情妇，是因为我有个老婆；因为我有老婆，所以我才有情妇„„ --《江湖告急》

最的辛酸台词1：

其实，我是一个演员 --《喜剧之王》

最辛酸的台词2：

阿SIR，我不做大哥很久了！ --《英雄本色》

最现实的台词：

不知道从什么时候开始，在什么东西上面都有个日期，秋刀鱼会过期，肉罐头会过期，连保鲜纸都会过期，我开始怀疑，在这个世界上，还有什么东西是不会过期的？ --《重庆森林》

最伤心的台词：

我猜的出故事的开头，却猜不到这故事的结局„„ --《大话西游》

最愚蠢的台词1：

我是谁？ --《我是谁》 最愚蠢的台词2：

月虹：公子贵姓啊？

季常：小姓程，父母取名寓意四季平常。

月虹：哦，程四平。

季常：是程季常才对，小姐尊姓大名啊？

月虹：小姓柳，父母取名寓意月下彩虹。

季常：哦，是柳下彩。

月虹：是柳月虹啊。 --《河东狮吼》

最愚蠢的台词3：

我们现在在哪儿？ 在这儿。 --《虎口脱险》

最适合喊口号台词：

如果不能骄傲的活着,我选择死亡! --《红色恋人》

去2046的目的只有一个，那就是找回失去的记忆，因为在2046一切事物永不改变。